Understanding Zohran Mamdani's Sartorial Statement: What His Suit Reveals About Contemporary Masculinity and a Changing Society.

Coming of age in the British capital during the noughties, I was always surrounded by suits. You saw them on businessmen rushing through the financial district. You could spot them on fathers in Hyde Park, kicking footballs in the golden light. At school, a cheap grey suit was our mandatory uniform. Historically, the suit has served as a uniform of seriousness, projecting authority and professionalism—qualities I was expected to aspire to to become a "man". Yet, before lately, people my age seemed to wear them infrequently, and they had all but disappeared from my consciousness.

The mayor at a social event
Mamdani at a film premiere afterparty in December 2025.

Then came the incoming New York City mayor, Zohran Mamdani. He was sworn in at a closed ceremony wearing a subdued black overcoat, pristine white shirt, and a notable silk tie. Riding high by an innovative campaign, he captivated the world's imagination like no other recent contender for city hall. But whether he was celebrating in a hip-hop club or attending a film premiere, one thing remained largely constant: he was almost always in a suit. Relaxed in fit, modern with unstructured lines, yet conventional, his is a typically middle-class millennial suit—well, as common as it can be for a cohort that rarely bothers to wear one.

"The suit is in this strange position," says style commentator Derek Guy. "It's been dying a gradual fade since the end of the Second World War," with the significant drop coming in the 1990s alongside "the rise of business casual."

"It's basically only worn in the most formal settings: marriages, memorials, to some extent, legal proceedings," Guy explains. "It's sort of like the kimono in Japan," in that it "essentially represents a tradition that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I am a politician, you can trust me. You should support me. I have legitimacy.'" But while the suit has traditionally signaled this, today it enacts authority in the hope of gaining public trust. As Guy clarifies: "Since we're also living in a democratic society, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of performance, in that it performs masculinity, authority and even proximity to power.

This analysis stayed with me. On the rare occasions I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Tokyo retailer a few years ago. When I first picked it up, it made me feel refined and high-end, but its tailored fit now feels outdated. I suspect this feeling will be only too recognizable for many of us in the global community whose families come from other places, especially global south countries.

A cinematic style icon
Richard Gere in the film *American Gigolo* (1980).

It's no surprise, the working man's suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through cycles; a specific cut can thus define an era—and feel quickly outdated. Take now: looser-fitting suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be trendy, but given the price, it can feel like a considerable investment for something destined to fall out of fashion within a few seasons. But the attraction, at least in certain circles, endures: in the past year, department stores report suit sales increasing more than 20% as customers "move away from the suit being everyday wear towards an desire to invest in something exceptional."

The Symbolism of a Accessible Suit

The mayor's go-to suit is from Suitsupply, a European label that retails in a moderate price bracket. "He is precisely a product of his background," says Guy. "In his thirties, he's neither poor nor extremely wealthy." Therefore, his moderately-priced suit will resonate with the group most inclined to support him: people in their 30s and 40s, university-educated earning middle-class incomes, often discontented by the cost of housing. It's precisely the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits arguably align with his proposed policies—which include a capping rents, constructing affordable homes, and free public buses.

"It's impossible to imagine Donald Trump wearing this brand; he's a Brioni person," observes Guy. "He's extremely wealthy and was raised in that property development world. A power suit fits naturally with that tycoon class, just as attainable brands fit naturally with Mamdani's constituency."
A controversial suit color
A memorable instance of political attire drawing commentary.

The history of suits in politics is extensive and rich: from a former president's "shocking" tan suit to other national figures and their notably polished, custom-fit sheen. Like a certain British politician discovered, the suit doesn't just dress the politician; it has the potential to define them.

The Act of Banality and A Shield

Perhaps the point is what one scholar calls the "performance of ordinariness", invoking the suit's historical role as a uniform of political power. Mamdani's specific selection leverages a deliberate modesty, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him connect with as many voters as possible. But, experts think Mamdani would be cognizant of the suit's military and colonial legacy: "The suit isn't apolitical; scholars have long noted that its contemporary origins lie in imperial administration." Some also view it as a form of defensive shield: "I think if you're from a minority background, you might not get taken as seriously in these traditional institutions." The suit becomes a way of signaling legitimacy, particularly to those who might question it.

This kind of sartorial "code-switching" is not a recent phenomenon. Even historical leaders previously wore formal Western attire during their formative years. Currently, certain world leaders have begun exchanging their usual military wear for a black suit, albeit one lacking the tie.

"In every seam and stitch of Mamdani's image, the tension between belonging and otherness is apparent."

The suit Mamdani selects is deeply symbolic. "As a Muslim child of immigrants of South Asian heritage and a democratic socialist, he is under scrutiny to meet what many American voters look for as a marker of leadership," says one author, while simultaneously needing to walk a tightrope by "not looking like an establishment figure selling out his non-mainstream roots and values."

A world leader in a suit
A European president meeting a foreign dignitary in formal attire.

Yet there is an sharp awareness of the double standards applied to suit-wearers and what is read into it. "That may come in part from Mamdani being a younger leader, skilled to assume different personas to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, customs and clothing styles is common," it is said. "White males can go unnoticed," but when others "attempt to gain the authority that suits represent," they must carefully negotiate the codes associated with them.

Throughout the presentation of Mamdani's official image, the tension between somewhere and nowhere, inclusion and exclusion, is visible. I know well the awkwardness of trying to fit into something not designed with me in mind, be it an cultural expectation, the culture I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in public life, image is never neutral.

Mark Stephens
Mark Stephens

A passionate artist and curator with a background in fine arts, dedicated to sharing innovative creative insights and fostering artistic communities.